Creative industries and Britpop: the marketisation of culture,politics and national identity

Do contemporary governments adapt to rising social movements or do they actually cause them? This paper endeavours to argue that although it is often difficult to determine the origins of social transformations, there are reasons to believe that there exists not only a co-option but also a conscious shaping of social changes by political projects or governments for their own benefit. Building on other contributions that state that popular culture and youth consumerism are used in favour of nation branding, the present study moves beyond this to analyse the active role that governments play in the marketisation and consumption of culture, thus artificially multiplying the effective impact of some cultural waves that ultimately serve political purposes. In particular, I examine the so-called “Cool Britannia” phenomenon that, founded on the flourishing of new creative industries, with Britpop in the lead, had a significant historic impact in Britain.