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Can you do Kung Fu and also act? New entrants’ status attainment in the creative industries
Institution:1. INSEAD, Boulevard de Constance, 77305, Fontainebleau Cedex, France;2. City University of Hong Kong, Hong Kong;3. Faculty of Management, University of New Brunswick, Fredericton, NB, E3B 5A3, Canada;1. National Research Base of Intelligent Manufacturing Service, Chongqing Technology & Business University, Chongqing 400067, China;2. Haub School of Business, Saint Joseph’s University, Philadelphia, PA 19131, USA;1. The University of Texas at San Antonio, One UTSA Circle, San Antonio, TX 78249, United States;2. Texas A&M University, College Station, TX 77845-4221, United States;3. Loyola Marymount University, One LMU Drive, MS 8385, Los Angeles, CA 90045, United States;1. University of Wyoming, Business Building 351, 1000 E. University Ave, Laramie, WY 82071, United States;2. Kansas State University, Department of Management, College of Business Administration Business Building 3092 Manhattan, KS 66502 United States;3. Universität Paderborn, Fakultät Für Wirtschaftswissenschaften, Lehrstuhl Für International Business, Warburger Straße 100 33098 Paderborn, Germany;1. National Research University Higher School of Economics, 16 Soyuza Pechatnikov Street, St. Petersburg, 190121, Russia;2. Aalto University School of Business, P.O. Box 21230, FI-00076, Aalto, Finland;1. Faculty of Business Administration, University of Macau, Avenida Padre Tomás Pereira, Taipa, Macau;2. School of Marketing & International Business, Victoria University of Wellington, 23 Lambton Quay, Pipitea Campus, PO Box 600, Wellington 6140, New Zealand
Abstract:Despite the wealth of research on the antecedents of status, we know little about the mechanisms that affect ability of individuals in one market to attain status in another market. The issues of cross-market status transfer are especially salient in the creative industries that are characterized by intensive cross-country migration. We combine research on status and typecasting to explain the mechanisms causing some migrants to lose or gain status in a host country relative to other migrants. We find that low-status migrants gain status relative to high-status migrants. We also find that low-status generalist migrants gain status relative to high-status generalist migrants. We develop these insights through the analysis of an original dataset on the status attainment of mainland Chinese movie actors in the Hong Kong film industry.
Keywords:Status  Typecasting  Networks  Creative industries  Migration
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