《文心雕龙》的文气说考论

先秦汉魏时期关于气论的代表性观点可归纳为哲学层面、审美层面与文论概念的三种形态，这正是刘勰《文心雕龙》文气论思想的来源。刘勰主要继承和发展了《周易》阴阳刚柔的气论思想与曹丕文气“清浊”说。刘勰文气论内涵多样，最大的贡献有两点，一是在文论史上首次确立了刚柔风格类型说，并以“刚柔相摩，八卦相荡”的理论支撑，推演出了《体性》篇“数穷八体”的八体风格类型，二是以文气论风骨，提倡刚健的文风。

The Theory on Wen Qi of The Literary Mind and the Carving of Dragons

In this paper, the representative views on the research on Wen Qi during the Before Qin Dynasty and Han and Wei Dynasties are summarized into three forms： philosophical level, aesthetic level and the concepts of literary theory. In this simple ordering process, it is found that the views above are exactly the source of thought about the theory on Wen Qi in the book The Literary Mind and the Carving of Dragons written by Liu Xie. Among these, the main are the inheritance and development of three contents which are the theory on Qi combined rigid-flexible with Yin and Yang in the book Zhou Yi, the theory on ＂elegant and rigidity＂ claimed by Cao Pi. The theory on Wen Qi claimed by Liu Xie contains diverse connotations and its greatest contribution reflects in two aspects, one is that it is the first time that the type theory of the style combined rigid- flexible has been established in literary history, and it deduces eight styles of writing from the point ＂eight styles listed＂ in the article style and character supported by the theory of ＂rigidity runs flexibility in, divination promotes each other＂ , the other is that strength of character is judged by Wen Qi and advocates vigorous style of writing; which is of great theoretical value.