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“感物说”与“摹仿说”之比较
引用本文:朱佩佩.“感物说”与“摹仿说”之比较[J].铜陵财经专科学校学报,2013(3):98-100.
作者姓名:朱佩佩
作者单位:四川师范大学,四川成都610068
摘    要:"感物说"和"摹仿说"分别是中西关于文学艺术发生的理论学说,并且都各自对其后代文学艺术的发展产生了深刻的影响。两者都反映了文学与自然、社会之间有着不可分割的联系。我们不能忽视两者的确存在着更为根本的差异。"感物说"强调的是主客观的融合,而"摹仿说"则强调主客观的分离,这和中西方"天人合一"和"二元对立"的认知模式有很大的联系。

关 键 词:“感物说”  “摹仿说”  天人合一  二元对立

Comparison of "Perceiving" and "Imitation"
Authors:Zhu Pei-pei
Institution:Zhu Pei-pei (Sichuan Normal University, Chengdu Sichuan 610068, China)
Abstract:"Perceiving" and "Imitation" are Chinese and Western literature and art theories, each had a profound influence on the development of their offspring literary and artistic. Both reflect between literature, nature and society are inextricably linked. We can not ignore the more fundamental difference between the two does exist. "Perceiving" to emphasize that the integration of subjective and ob- jective, and "Imitation" stressed the objective and subjective separation, this is very much tied to the cognitive model of China and the West " Harmony Between Man and Nature " and " Dualistic "
Keywords:"Perceiving"  "Imitation"  Haxmony Between Man and Nature  dualistic
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