| 罗曼·茵格尔顿的音乐美学及情感品格论 |
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| 引用本文： | 殷之声. 罗曼·茵格尔顿的音乐美学及情感品格论[J]. 边疆经济与文化, 2011, 0(8): 79-80 |
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| 作者姓名： | 殷之声 |
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| 作者单位： | 辽宁歌剧院,沈阳,110000 |
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| 摘 要： | 茵格尔顿把现象学的原理和方法应用于音乐美学研究,提出音乐的本质和存在方式是一种纯粹的意向性对象,充分地肯定了音乐作品具有情感品格。以歌剧《茶花女》中薇奥列塔的咏叹调《永别了过去》为例,分析证明音乐作品不能象任何实体独立于人类意识之外。
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| 关 键 词： | 音乐美学 现象学 歌剧 情感品格 |
The Theory of Roman Ingriden＇s Music Aesthetics and Emotional Character |
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| YIN Zhi-sheng. The Theory of Roman Ingriden＇s Music Aesthetics and Emotional Character[J]. The Border Economy and Culture, 2011, 0(8): 79-80 |
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| Authors: | YIN Zhi-sheng |
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| Affiliation: | YIN Zhi-sheng(Liaoning Opera Departmeot,Shenyang 110000,China) |
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| Abstract: | Ingriden applied th that the essence and the way that musical works example, analyzed possessed e principle and method of phenomena to the study of music aesthetics, and appointed of existing of music is one kind of pure disposition object, and confirmed adequately emotional character. Take opera La Traviata＇s Vioetta＇s aria Farewell to the Past as an and identified that music production can＇t independent of human consciousness as any object. |
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| Keywords: | music aesthetics phenomena opera emotional moral |
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