| 简论四十年代海派小说的艺术个性 |
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| 引用本文： | 王宁. 简论四十年代海派小说的艺术个性[J]. 沈阳工程学院学报(社会科学版), 2006, 2(4): 500-502 |
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| 作者姓名： | 王宁 |
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| 作者单位： | 辽宁省作家协会,创作研究部,沈阳,110041 |
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| 摘 要： | 四十年代海派小说由于身处特定的文学环境,在多种思潮流派的合力作用下呈现出一种雅俗新旧兼容杂糅的艺术个性,在叙事模式上保存了新旧杂糅的特质,行文中的意象象征呈现出了东方意象基础上的现代主义倾向,语言形式则显现为通俗性与先锋性的并存融合。
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| 关 键 词： | 海派小说 艺术个性 雅俗新旧 兼容杂糅 |
| 文章编号： | 1672-9617（2006）04-0500-03 |
| 收稿时间： | 2006-06-23 |
| 修稿时间： | 2006-06-23 |
Discussion on artistic individuality of Shanghai - style fiction in 1940's |
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| WANG Ning. Discussion on artistic individuality of Shanghai - style fiction in 1940's[J]. Journal of Shenyang Institute of Engineering:Social Sciences, 2006, 2(4): 500-502 |
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| Authors: | WANG Ning |
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| Abstract: | Because in special literature environment,under the associated effect of various thoughts,Shanghai-style fiction in 1940's takes on the refined,popular,new and old taste;absorbs,mixes anything and everything,conserves the characteristic of mixing new and old anything on narration mode,imago symbol of writing style takes on the modernistic tendency on the basis of eastern imago,language form shows the compatibility and crasis between popularity and pioneer. |
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| Keywords: | shanghai-style fiction artistic individuality refined popular new and old taste absorb mix anything and everything |
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