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Budgetary earmarking and the control of the extravagant woman in Australia, 1850–1920
Institution:1. Cardiff Business School, Aberconway Building, Colum Drive, Cardiff, UK;2. The University of Melbourne, Australia;1. College of Life Science and Technology, Jinan University, Guangzhou 510632, China;2. College of Fisheries and Life Science, Shanghai Ocean University, Shanghai 200090, China;3. College of Life Science, South China Normal University, Guangzhou 510631, China;1. IRCCS-Istituto di Ricerche Farmacologiche Mario Negri, Via La Masa 19, 20156 Milan, Italy;2. Department of Chemistry, Institute of Technical Education and Research (ITER), Siksha ‘O’ Anusandhan University, Bhubaneswar, Odisha 751030, India;1. Univ. Bordeaux, IMS, CNRS UMR 5218, IPB, Univ. Bordeaux 1, Talence, France;2. Univ. Bordeaux, LOMA, CNRS UMR 5798, 351 crs Libération, 33405 Talence, France;3. National Institute for Research and Physicochemical Analysis, BiotechPole, Sidi Thabet, Tunisia;4. LCMCP, Collège de France – CNRS-UMR 7574, Paris, France
Abstract:During the nineteenth and early twentieth centuries Australian women (and Melbournian women in particular) were chastised for extravagance in dress. Excessive expenditure on fashionable clothing was considered a threat to personal solvency and domestic tranquillity. Female profligacy was also deemed self indulgent and unpatriotic in periods of economic and military crisis. Drawing on Zelizer's Zelizer VA. The social meaning of money. New York: Basic Books; 1994] study of The social meaning of money the paper examines how the state attempted to contain female extravagance in dress by re-orientating spending priorities in household budgets. The earmarking ideology of patriotic thrift was conveyed by apparatuses such as cultural and communications media, the political system and voluntary associations. The earmarking ideology represented an onslaught on fashionable dress, a means of asserting feminine identity in a patriarchal society. The study reveals budgetary earmarking as a social process, which is reflective and constitutive of gendered asymmetries of power in the home.
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