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论《诗薮》对古诗创作原则和审美标准的确立
引用本文:孙琴安.论《诗薮》对古诗创作原则和审美标准的确立[J].上海财经大学学报,2006,8(3):3-7.
作者姓名:孙琴安
作者单位:上海社会科学院文学所 上海200235
摘    要:明代胡应麟的《诗薮》是中国一部经典性的诗论专著。本文对其确立的各种诗体的创作原则和审美标准,进行了较为详细的论述。并认为清代的有些诗论主张和审美观念,都曾从中吸取过有益的养料。文中并对胡应麟确立的这些原则和标准的原因与既成条件,以及对后世的利弊影响,也进行了较为客观的分析和评价。

关 键 词:胡应麟  诗薮  诗体  创作原则  审美标准
文章编号:1009-0150(2006)03-0003-05
收稿时间:2006-02-24
修稿时间:2006年2月24日

The Role of Critique of Poetry:Influences on Ancient Poetry's Creation Principles and Aesthetic Criterion
SUN Qin-an.The Role of Critique of Poetry:Influences on Ancient Poetry''''s Creation Principles and Aesthetic Criterion[J].Journal of Shanghai University of Finance and Economics,2006,8(3):3-7.
Authors:SUN Qin-an
Abstract:Critique of Poetry, created by HU Yinglin in Ming Dynasty is a classical monograph on poetry criticism. This paper carefully illustrates the creation principles and aesthetic criterion of all the various poetry forms established in Critique of Poetry and holds the view that some Qing Dynasty ideas on poetry criticism and aesthetic viewpoints has taken beneficial points from that work. Meanwhile, this paper objectively analyzes and evaluates the causes and preconditions for HU Yinglin to establish his principles and criterion as well as their influence from then on.
Keywords:HU Yinglin  Critique of Poetry  poetry form  creation principles  aesthetic criterion
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