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诗歌创作的四重陌生化
引用本文:刘绍军. 诗歌创作的四重陌生化[J]. 黄石理工学院学报, 2006, 22(5): 11-13
作者姓名:刘绍军
作者单位:黄石理工学院师范学院,湖北,黄石,435003
摘    要:从俄国形式主义文论的角度对新诗的创作进行评价,将诗歌的创作分为四个方面的“陌生化”:即形式的陌生化,语言的陌生化,生活的陌生化和对事物本质的艺术直觉的把握。认为真正的诗歌的陌生化是一种熟悉的陌生,而不是晦涩难懂。第一重陌生化是不可缺少的,第二重陌生化是技术,第三重陌生化是灵感,而第四重陌生化是灵魂。最好的诗歌是四种陌生化的结合。

关 键 词:诗歌  陌生化  诗歌创作
文章编号:1008-8245(2006)05-0011-03
收稿时间:2006-01-18
修稿时间:2006-01-18

The Fourfold Defamiliarizations in Poem Writing
Liu Shaojun. The Fourfold Defamiliarizations in Poem Writing[J]. Journal of Huangshi Institute of Technology, 2006, 22(5): 11-13
Authors:Liu Shaojun
Affiliation:Normal School, Huangshi Institute of Technology, Huangshi Hubei 435003
Abstract:This paper evaluates the writing of poems of new style from the point view of literature theory of Russian Formalism,and divides the writing into four defamiliarizations:i.e.the form defamiliarization,language defamiliarization,life defamiliarization,and the grasp of the art intuition for the essence of materials.The author believes that the poem defamiliarization is not something which is hard to understand but a kind of familiar defamiliarization.The first defamiliarization is indispensible;the second is of technique;the third is of inspiration and the fourth is the soul.And the best poems are the combination of the four defamiliarizations.
Keywords:poem   defamiliarization    poem writing
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