| 阴郁的色彩深邃的悲情--试论曹禺三大悲剧力作的内在意蕴 |
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| 引用本文： | 李雅妮. 阴郁的色彩深邃的悲情--试论曹禺三大悲剧力作的内在意蕴[J]. 沈阳工程学院学报(社会科学版), 2006, 2(2): 191-193 |
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| 作者姓名： | 李雅妮 |
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| 作者单位： | 宝鸡文理学院,中文系,陕西,宝鸡,721007 |
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| 摘 要： | 《雷雨》《日出》《原野》被称为曹禺的三大悲剧,三部剧作始终表现出阴郁的色彩和深邃的悲情这一深厚的内在意蕴。这一内在意蕴贯穿于作品的内容与形式之中,是剧作家气质、性格与审美风格的自然流露,这也使得其作品具有独特的传情力和感染力。
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| 关 键 词： | <雷雨><日出><原野>阴郁 深邃 内在意蕴 |
| 文章编号： | 1672-9617（2006）02-0191-03 |
| 收稿时间： | 2005-09-22 |
| 修稿时间： | 2005-09-22 |
Gloomy colour and profound pathos --Discussion on inherent significance in the three major tragedy of Cao Yu |
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| LI Ya-ni. Gloomy colour and profound pathos --Discussion on inherent significance in the three major tragedy of Cao Yu[J]. Journal of Shenyang Institute of Engineering:Social Sciences, 2006, 2(2): 191-193 |
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| Authors: | LI Ya-ni |
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| Abstract: | Thunder Storm,Sunrise and Champaign are the three major tragedy of Cao Yu.They represents the distinctive inherent significance of gloomy colour and profound pathos.This inherent significance is impenetrated in content and form of works,is the natural outpouring of writer's temperament,character and aesthetic style.It also make his tragedies have particular expression and infection. |
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| Keywords: | Thunder Storm Sunrise Champaign gloomy profound inherent significance |
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