| 瑶族黄泥鼓乐舞的信仰禁忌与双重变迁 |
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| 引用本文： | 李晓婷.瑶族黄泥鼓乐舞的信仰禁忌与双重变迁[J].铜陵学院学报,2014(2):96-98. |
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| 作者姓名： | 李晓婷 |
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| 作者单位： | 巢湖学院,安徽合肥238000 |
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| 基金项目： | 基金项目：2011年巢湖学院院级课题（XWY-201106）. |
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| 摘 要： | 黄泥鼓乐舞是瑶族传统祭祀仪式“跳盘皇”的主要乐舞。通过实地调查，不仅揭示该乐舞在当代“信仰”与“消费”的互动和妥协中分化成“仪式”与“展演”两种性质的音乐事项，亦阐释经过“再生产”成为舞台艺术时，瑶族如何处理仪式乐舞的信仰禁忌。
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| 关 键 词： | 瑶族 黄泥鼓乐舞 信仰禁忌 双重变迁 |
Dual Transition of Huangni Drum Dance and Belief Taboo of Yao Ethnic Group |
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| Li Xiao-ting.Dual Transition of Huangni Drum Dance and Belief Taboo of Yao Ethnic Group[J].Journal of Tongling College,2014(2):96-98. |
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| Authors: | Li Xiao-ting |
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| Institution: | Li Xiao-ting (Chao Hu University, Hefei Anhui 138000, China) |
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| Abstract: | Huangni Drum Dance is the main of the oldest sacrificial ritual Panhuang Musical Dance in Yao Ethnic Group. Through investigation, this article not only reveals the truth that Huangni Drum Dance evolves into music items of two natures：ritual and performance in the interaction and compromise of religion and consumption, but also explained how to deal with belief taboo. |
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| Keywords: | ritual music of yao ethnic group huangni drum dance belief taboo dual lransition |
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