音乐类高校毕业生创业促进措施研究

随着人们教育理念的改变以及素质教育的提倡,越来越多的人开始重视素质教育,不仅是基础义务教育德智体美前面发展,很多艺术院校也开始自身扩招计划,音乐类高校学生的数量也在不断的增加,但是随着高校毕业生数量的不断增加,很多毕业生没有合适的就业机会,就业形势不容乐观,因此很多艺术类高校的毕业生开始自身创业.本文首先介绍了音乐类高校毕业生创业的概况,其次分析了目前音乐类高校毕业生创业存在的问题,并且根据这些问题提出了适当的创业促进措施,希望这些措施的提出能够改善目前音乐类高校毕业生创业现状.     

高校非音乐专业学生音乐素质教育研究

在我国教育事业当中,为培养学生对事物的美感,至始至终都贯穿着美育教育的理念,而音乐素质教育则是美育教育中非常重要的部分.就我国高校非音乐专业的学生而言,许多高校也实施了音乐素质教育.尤其是许多高校面对广大非音乐专业的学生开设了音乐公共课程,这对学生音乐素质培养,对学生音乐素质教育、美育教育有着极为重要的作用.本文则主要从当前我国众多高校对非音乐专业学生的音乐素质教育的现状进行分析,并就此提出了几点看法和建议.     

奥运伏击战：一场没有硝烟的较量

历年的奥运会不仅是运动员一决高下的时候，许多公司也在奥运期间上演了一场没有硝烟的战争。     

音乐类高校毕业生创业现状分析研究

音乐类高校毕业生由于专业技能的特殊性,造成其在就业方面存在一定的困难,自主创业逐步成为其就业的首要选择.虽然自主创业对音乐类高校毕业生提供了更多的选择机会,但其在创业过程中也会存在一些困难,本文主要通过对音乐类高校毕业生创业的现状和阻碍等两方面对其进行分析研究,结合实际情况,给出合理化的建议,更好的服务于音乐类高校毕业生自主创业.     

音乐教学中节奏训练的方法

节奏是曲调的要素之一，而且可以单独成为节奏音乐。我国民间各种锣鼓点，各种戏曲音乐中打击乐器的演奏。     

盐城市民间融资情况调查

一、民间融资发展的现状和特点(一)民间融资发展的现状。民间融资至今没有相应法规和部门对其规范和管理,在自然状态下自发产生、自主运营。供需人群、借贷方式、利率水平、组织形式、资金用途、运行机制均呈纷繁多样的状态。1.民间融资的规模。客观辩证地看,民间融资总体上是良性的,当然也不可避免地存在着一些问题,但合法融资仍是其主流,是农户、居民     

民间音乐的二重性及其在旅游景区中的有效利用

目前.以满足人们追求神秘、新奇心理为目的的"民族文化游"吸引了大量的游客,是影响旅游客源市场的主要因素,成为旅游业的主流方向.民间音乐文化是民族文化的主要内容,在旅游中得到广泛的开发与利用,我们可以借助旅游这一特殊的载体.科学地发掘、侍承、保护和利用好民闻音乐文化资源,并合理地运用于旅游业中,形成二者的良性互动,促进民族旅游业的发展,拉动地方经济与民间音乐文化的繁荣.     

法、法治与宪政（下）

法治是宪政的必要基础,并捍卫着宪政体制的生存和稳定,没有法治就没有宪政。如果法律仅仅是统治者(立法者或执法者)意志的体现,那就没有法治,也就无宪政可言。宪政的目标决不是简单地限制政府权力。宪政的目标是建立一个有效的、负责的、公正的、保护个人基本权利的政治和法律体系;这就要求宪法赋予政府足够的、有效的权力来管理公共事务和保持社会安全及稳定。     

法·法治·宪政

法治是宪政的必要基础,并捍卫着宪政体制的生存和稳定,没有法治就没有宪政。如果法律仅仅是统治者(立法者或执法者)意志的体现,那就没有法治,也就无宪政可言。宪政的目标决不是简单地限制政府权力。宪政的目标是建立一个有效的、负责的、公正的、保护个人基本权利的政治和法律体系;这就要求宪法赋予政府足够的、有效的权力来管理公共事务和保持社会安全及稳定。     

高校音乐文化在文化产业发展中的作用

高校音乐文化不仅在音乐人才培养上,而且在促进音乐文化产业发展以及社会和谐等方面都发挥着积极的作用。但教育模式滞后、教育资金缺位等因素制约着高校音乐文化的作用。本文提出了相应的发展路径,以期在全面提升高校音乐文化建设发展的同时,引导高校音乐文化更好地为文化产业发展提供服务。     

Estimating consumer preferences for online music services

This article analyses consumer preferences with regard to important attributes of online music services. Conjoint analysis and a random coefficient discrete choice model using Bayesian approach with Gibbs sampling are used to estimate the preferences. Based on the quantitative results, we use simulation to look at how a new pricing strategy and the threat of legal penalty for file sharing would influence the online music market. Findings include these: estimated willingness to pay for downloading one music file is significantly less than the actual price of the file; consumers are sensitive to longer search and download times for music files and very sensitive to the threat of legal action; and consumers are not sensitive to online music services broadening their catalogues. Finally, the simulation shows that a combination of increased transaction costs for illegal file sharing and lower-priced digital music files would inhibit illegal file sharing and bolster the number of people purchasing music legally from the online services.     

对三种音乐教育哲学观的思考

同型论、语境论和功能论三个重要的音乐教育哲学观,不仅激起了音乐教育运动的新波澜,开拓了音乐人的想象空间,也为我们反思我们的音乐教学提供了新启迪。     

Music file sharing and sales displacement in the iTunes era

A growing empirical literature examines the relationship between music file sharing and legal purchases of music, but existing studies examine the period before consumers had attractive legal digital a la carte options. The iTunes Music Store has grown quickly since its appearance in 2003, and digital music now accounts for a third of US recorded music sales. Using two new surveys of University of Pennsylvania undergraduates in 2009 and 2010, we ask how music file sharing and sales displacement operate in the iTunes era, when the alternative to file sharing is purchasing individual songs, rather than entire albums. We find large amounts of file sharing in this population. Respondents have more stolen than paid music, but the music obtained via file sharing is, for the most part, low-valuation music which the respondents would likely not have purchased. The rate of sales displacement implied by the relationship between stolen and purchased music across respondents in both samples is between −0.15 and −0.3. That is, an additional song stolen reduces paid consumption by between a third and a sixth of song. Perhaps surprisingly, this is about the same as the CD sales displacement rate found for the pre-iTunes era using a similar empirical approach on a similar study population.     

Performing arts attendance: an economic approach

This paper examines to what extent art education, prices and standard socio-economic characteristics influence attendance at professional performing arts events (theatre, classical music, opera, ballet and dance). It distinguishes the influence such variables have on whether a person participates or not, from the effect that they have on the number of times a person decides to attend. The introduction of art education and price variables is likely to reduce the omitted variable bias present in previous empirical studies and improve estimations. Art education is highly correlated with participation, while it is not equally associated with frequency of attendance. Prices and geographical concentration are generally not correlated with participation, however there are large differences among art forms and economic resources appear to be relevant in the case of classical music. Policy makers can use information on what results can be expected from policies aimed at reducing prices or increase art education in the population in their attempt to improve attendance and increase access to the performing arts.     

音乐营销的现状及未来发展研究

音乐营销在国外的研究已经开展多年,在国内相关研究却近乎空白。文章通过大量国外文献的回顾,探究音乐营销研究的发展。根据现有资料,音乐营销的研究主要集中在音乐产品营销和营销中音乐的应用两大方向。对相关文献的回顾和述评,对国内刚刚起步的同步研究提供借鉴,并揭示音乐营销研究的未来发展趋势。     

Online sales, Internet use, file sharing, and the decline of retail music specialty stores

This paper uses phonebook records of music retailers in the United States for the years 1998 and 2002 to examine how Internet use, file sharing, and online sales of records have affected the entry and exit of brick and mortar music specialty retailers. By merging music store information with data on Internet activity and broadband connectedness at the metropolitan statistical area (MSA) level, with the number of broadband providers at the zip code level, and with a database of the location of universities, I analyze how online purchases, broadband, and Internet use affected the survival probability and the change in the number of music stores between 1998 and 2002. I further study whether the number of employees and chain membership affected the survival probability. I find that broadband connectedness increased the death rate of brick and mortar music stores and reduced their number. I also find that the presence of a university led to a reduction in the number of music specialty stores in the zip code.     

基于二元价值容介态的音乐文化价值构成及进化

基于广义虚拟经济的理论视野,将音乐文化的价值形式归纳为审美价值、人文社会价值、商业经济价值三个大类.当音乐文化的价值取向主动地(并且外部条件也适宜)使其成为音乐文化产品而不仅仅是音乐艺术作品,并且三类价值形式分别对应实现了往复循环的二元价值容介态时,其多样化的价值就会不断进化并外显.     

因材施教——声乐教学的重要法则

声乐与其它的艺术形式存在着明显的区别，由于难以形象地对声乐的乐理、思想等进行表达，因此在声乐教学的过程中如何有效地让学生更好地理解声乐知识，更好地掌握发声技巧等一直是广大声乐教师关注的重点。鉴于此，文章主要就声乐教学中的因材施教进行研究，通过努力在声乐教学中推动因材施教，学生才能对此会产生更浓厚的兴趣，更好地用声乐来表达内心的思想与情感。     

Don’t blame the P2P file-sharers: the impact of free music downloads on the purchase of music CDs in Canada

This study measures the extent to which P2P file-sharing activities act as substitutes or complements to music purchases in markets for CDs. The paper breaks with the mainstream economics approach which dominates the music file-sharing discussion. Whereas such models assume relationships at the micro level (e.g. between file-sharing and purchases) based on observations made at the macro level, our evolutionary economics approach measures the direct effects using micro data representative of the Canadian population. The behavioral incentives underpinning free music downloading, novel to this paper, are the multiple effects of: ‘unwillingness to pay’ (market substitution), ‘hear before buying’ (market creation), ‘not wanting to buy a whole album’ (market segmentation), and ‘not available in the CD format or on electronic pay-sites’ (market creation). Although the two first mentioned incentives significantly influence CD album purchases—i.e. there is a negative and significant market substitution effect and a positive and significant market creation effect—on the whole, these two effects ‘cancel’ one another out, leading to no association between the number of P2P files downloaded and CD album sales.     

Intellectual property rights protection and recorded music sales��focus on 26 OECD countries panel data

This thesis mainly studies the relationship between intellectual property rights protection and recorded music sales by use of 26 OECD countries panel data from 2000 to 2007. Following Png and Wang (2006), the production equation of recorded music is developed. Meanwhile, the author introduces other independent variables such as per capita GDP, employment rate and R&D, population and economic openness. The econometric methods consist of two way fixed effects method, Arellano-Bond dynamic panel-data estimation and dynamic panel-data estimation, one-step difference GMM (generalized method of moments) by use of Stata 10.0. The findings are as followings: Intellectual property rights (IPRs) protection exerts positive effect on recorded music sales, and the influencing coefficient is at the range of 0.815 to 0.915. Meanwhile, economic openness also has positive influence. The studying results suggest that IPRs protection can reinforce the sale of recorded music, and it is very urgent to enhance IPRs protection.