男性内裤市场现状分析及设计开发研究

本文通过对当今国内外男性内裤市场现状的分析以及市场前景的预测,旨在对男性内裤市场进行分析,力求能够对特色品牌的前期设计、广告宣传以及后期营销模式与营销方法等方面对中国男性内裤市场在一定程度上起一个引导作用。     

流行趋势

注重内在美,可不光是女人的专利!虽然走进台湾男性内裤的专卖区,架子上几乎不脱三角、四角、子弹型等货色,花色也多为白、黑、花等常见的颜色,而就算你想要到街上的情趣用品店,买几条特别、具质感,平日穿起来也舒适的内裤,通常它们的质料和设计上的狂野呛俗,也都超乎一般人的想像,更别说自己要穿着它们每天上下班了。 其实,只要连上国外网站,就可以发现:男性内裤不仅在剪裁和质料上大有讲究,就连功能也区分得十分细致喔!除了一般俗称的「三角裤」,也就是最常见的     

压力容器参数化设计方法研究

主要研究压力容器参数化设计方法,介绍了基于Auto-CAD的二次开发技术,并从法兰图纸自动绘制、支撑式支座建模、管道设计等方面对压力容器的参数化设计方案入手对压力容器参数化设计方法进行了讨论。     

解析水泥浆稠化曲线的影响因素

油井水泥浆稠化曲线是油井水泥浆稠化时间、初始稠度、过渡时间（40～100Bc的时间）、稠化线形等参数的综合体现，对水泥浆性能设计和固井施工有着重要的指导作用。通过对稠化试验现象的总结，解释和分析了稠化曲线的涵义及影响因素。     

CK的内裤“风波”

Calvin Klein内裤广告又闯祸了!CK不知有多少次曾因为内裤广告的大尺度而遭受撤换、禁播,甚至曾在挂有CK内裤广告的路段引发交通堵塞。但其制造的"内裤风波",往往预示CK对时尚潮流的挑战和巨大的经济效益,并屡试不爽。不可否认,CK早期的成功主要仰仗于其创始人Calvin Klein及其团队出色的产品设计,     

为什么要穿亚麻内衣

据国际卫生组织研究报告,一条脏内裤平均带有0.1克细菌,其中必定有沙门氏菌、大肠杆菌等病菌。由于个人清洗未必到位,随着时间推移,内裤残留的细菌也会越多,容易造成湿疹、瘙痒等。一般内裤不干净引起念珠性阴道炎患者相对多见,这是因为阴部温度、湿度本来就高,极易滋生念珠菌生长、繁殖,这就跟内衣的好坏与健康息息相关。从目前内衣采用的材料,化纤内裤透气性和吸湿性比较差,容易滋生细菌,尽管价格便宜,但对健康极为不利。     

浅析女装设计中的“儿童化”倾向

随着时代快速的发展,人们对于服装的要求已不简单是功能性与技术性,更加关注服装带给人的情感需要。"儿童化"的女装设计运用逆向思维将童趣理念载入服装中,形成一种稚趣、幽默、俏皮、轻松的设计风格,将成年女装实现了"减龄化",迎合了人们对服装的情感需要,在这个宣扬年轻的社会中为成年女性着装多提供了一种选择。本文分析了女装"儿童化"设计的造型特征、色彩与图案、材料、配饰几方面的表现手法,探讨了儿童语言在成年女装中的运用。     

从全龄化角度出发浅析居住区的景观空间设计

全龄化居住区是适合全民居住、终生居住的居住区,针对不同年龄段人群设置不同的景观区域。本文通过分析国内居住区景观设计现状,以及各年龄段人群的行为与空间需求,从而得出全龄化居住区景观空间的设计策略,将全龄化的设计理念用于实际案例中,从功能布局、景观空间等方面入手,打造满足老年、中年、青年、儿童等各年龄段人群活动的多样化的功...     

B2C网购服装、鞋帽类包装的设计探索

针对B2C网购服装、鞋帽类包装存在的主要缺陷,以包装设计的诉求和顾客的迫切需要为出发点,分析了网购服装、鞋帽类存在的问题,探讨了网购服装、鞋帽类包装的模数化、包装的环保化、包装的功能化、包装的可视性及装潢效果清晰化的设计思路,并注重包装的梯级利用设计。实现网购包装的合理化、现代化、生态化。     

中国汽车输得只剩内裤了

现在的女生中间流传着这么一句话:嫁个好男人可以减少20年的打拼。抱着这种思想,只剩下内裤的中国汽车如同势利的女孩,眼睛紧紧盯着是大款或者伪大款的老男人,尽管身上仅仅剩下了一条内裤。内裤到底有什么用???我看见网络中流传了很多版本,我来归纳如下:1、打劫时可以蒙面2、在     

浅析现代家居服设计

家居服作为服装市场的朝阳产业,呈现出强大的市场潜力。作为一个独立的门类,区别于传统睡衣、内衣,家居服的设计越来越受到行内重视。从家居服的款式、色彩、面料等方面出发,结合自身的设计实践案例,探讨家居服设计要素,思考家居服设计的发展方向。     

论彩棉针织内衣色彩的设计及产品开发

简要介绍天然彩棉针织内衣的色彩,强调要注重彩棉针织内衣的色彩设计,并从纤维原料的选择、纱线结构和造型设计、组织结构纹理设计、后整理等方面介绍色彩变化的彩棉针织内衣面料开发途径,及其加工过程和服用中色彩的变化。     

针织面料在春秋外衣设计上的应用与分析

针织面料主要用作内衣生产,用针织面料进行春秋季外衣设计,能发挥针织物柔、垂、贴、透的特点。针织物不只可以用作贴身的内衣生产的面料,在外衣设计中也能够发挥针织物休闲的特点,为服装设计增添新的思路。针织物的透气性可以进行相对大小的控制,以满足设计要求;针织物能够通过自身组织设计,满足外衣设计的尺寸稳定性;针织面料服装在加工过程中,要注意自身的加工特点。针织面料与机织面料有机结合设计效果更好,能够充分发挥各种面料的性能特点。     

保暖内衣的保暖性探究

为了探究与保暖内衣保暖性能相关的影响因素,本文从市场上选取典型保暖内衣面料,对其厚度、密度以及保暖率和透湿透气性等影响保暖性的相关指标进行实验和研究。分析了厚度、密度、组织结构等对面料保暖、透湿、透气的影响,以及厚度、透湿、透气与保暖性的关系,得出当面料厚度在1.84mm左右时,其保暖性能和轻薄性能较佳,透气率在550.3mm/s左右时,其透气舒适性能为优等的结论,为保暖内衣企业的产品选材和开发提供理论依据。     

论内衣穿着形式与社会经济意识形态

在一定经济基础上形成的社会意识形态是影响社会风尚、衣冠服饰的一个重要因素,服装是社会政治气候的晴雨表。本文纵览国内外的内衣穿着形式,重点分析了唐代和西方具有代表性的紧身内衣,归纳总结出其与社会经济意识形态的密切联系,为内衣的设计和潮流的把握提供一定的参考。     

Three generations of Telework: New ICTs and the (R)evolution from Home Office to Virtual Office

‘New ICTs’, such as smartphones and tablet computers, have revolutionised work and life in the 21st Century. Crucial to this development is the detachment of work from traditional office spaces. Today's office work is often supported by Internet connections, and thus can be done from anywhere at any time. Research on detachment of work from the employer's premises actually dates back to the previous century. In the 1970s and 1980s, Jack Nilles and Allan Toffler predicted that work of the future would be relocated into or nearby employees’ homes with the help of technology, called ‘Telework’. Analysing technological advancements—the enabling forces of change in this context—over four decades sheds new light on this term: they have fostered the evolution of Telework in distinct stages or ‘generations’. Today's various location‐independent, technology‐enabled new ways of working are all part of the same revolution in the inter‐relationship between paid work and personal life.     

Colourful practice: Is design education informing architects’ use of colour?

This paper sets out to consider the relationship between design education, architects’ colour knowledge, colour orientations and colour use in design practice. Specifically, a survey of 274 architects, architectural academics and postgraduates in Australia and Iran addressed the questions—is design education informing colour knowledge, and does colour education and knowledge inform an architect’s colour use in their designs? The findings suggest colour use in architecture has two chief influences: (1) Colour Orientation (architects’ general attitudes and prejudices towards colour use); and (2) Contextual Variables (the cultural and physical context of designs). The study shows that while the amount of colour education that architects receive has little role in informing their colourfulness orientations (i.e., how colourful they believe architecture in general should be), the greater an architect’s colour knowledge the more colourful their designs will be. The study suggests that the colourfulness of contemporary buildings is likely influenced more by levels of architects’ theoretical colour knowledge and by their personal preferences rather than by contextual influences such as the cultural and physical context of a design, the building function, or client directives.     

图案在童装设计中的应用

通过对童装设计中不同年龄段童装图案的应用和中国传统图案的应用的研究和分析,发现不同年龄阶段对图案的选择是存在一定差异性的,不同年龄段童装设计选择的图案要符合这一年龄阶段的儿童的心理需求.卡通形象、儿童简笔画、热门电影的人物插画,有童趣抽象的图案,民族风格的图案再设计,跨界合作的漫画家和插画师的作品常用在童装设计中.将中...     

The Impact of User‐Oriented Design on New Product Development: An Examination of Fundamental Relationships*

Design offers a potent way to position and to differentiate products and can play a significant role in their success. In many ways it is the focus on deep understanding of the customer or user—what may be termed user‐oriented design (UOD)—that transforms a bundle of technology with the ability to provide functionality into a “product” that people desire to interact with and from which they derive benefits. Even though the importance of this type of design is gaining recognition, several fundamental relationships between user‐oriented design contributions and the new product development (NPD) process and outcomes (i.e., product) remain unresearched, although they are assumed. This article examines the fundamental relationships underlying the incorporation of a user orientation into the NPD process. The discussion is organized around UOD's impact in terms of enhancing collaborative new product development (process oriented), improving idea generation (process oriented), producing superior product or service solutions (product oriented), and facilitating product appropriateness and adoption (product oriented). Each of these is developed and presented in the form of a research proposition relating to the impact of user‐oriented design on product development. The fundamental relationships articulated concerning UOD's impact on NPD form a conceptual framework for this approach to product design and development. For practitioners, the article suggests how user‐oriented design can improve NPD through its more grounded and comprehensive approach, along with the elevated appreciation of design challenges and heightened sense of possibilities for a product being developed. For scholars, the article identifies four important areas for UOD research. In addition to the rich avenues offered for research by each of these, the framework presented provides a foundation for further study as well as the development of new measures and tools for enhancing NPD efforts.