旅游形象认知的时间顺序对旅游目的地形象认知的影响研究--以银川沙湖与榆林红碱淖为例

旅游者对旅游目的地的形象认知是影响旅游活动的重要因素,对旅游目的地形象定位和市场营销策略的选择都具有重要的参考价值。许多因素对旅游目的地形象认知都产生影响,其中认知的时间特征对旅游目的地形象认知的影响是一个值得关注的新课题:旅游者对不同旅游目的地形象认知的先后顺序对旅游目的地形象认知是否产生影响以及这种影响的程度如何。文章以银川沙湖与榆林红碱淖为例,对旅游者对旅游目的地形象认知中的“先入为主”与“既成事实”效应进行了分析,初步证明旅游者对不同旅游目的地形象感知的先后顺序对旅游目的地形象认知产生影响,并针对案例景区的情况,强调了旅游形象定位与市场营销中的先发优势,提出了自己的观点。     

零售品牌形象构成要素实证研究

良好的品牌形象可以降低消费者购物过程中感知的风险,从而提高其满意度和忠诚度,作为一种独特的竞争优势,它又可以使企业获得强大的品牌资产,并为品牌延伸提供了依据.笔者试图通过问卷调查,从消费者的视角识别出零售品牌形象的主要构成要素.研究发现,零售品牌形象是一个多维的概念,它主要由31个指标构成并可以划分为7个纬度.与国际零售品牌相比,本土零售品牌的名称更容易为消费者记忆与传播,消费者对本土零售品牌名称的认知明显高于国际零售品牌.     

广西旅游形象的实证研究

旅游形象调查技术在旅游形象策划中起着重要的作用，它是旅游形象策划的定性分析的基础。在对广西旅游形象进行了实地问卷调查的基础上，对调查结果进行了科学地分析和总结，是进一步进行广西旅游形象策划依据的实证基础。     

建筑企业的社会责任分析

结合建筑企业特点，分析了建筑企业社会责任的内涵和意义。指出建筑企业必须主动承担起对股东、员工、社会、环境和社区等更多的社会责任，并提出了诸多具体的建议，对树立建筑企业整体形象具有指导意义。     

公益旅游意象研究：一种摄影图片分析运用

本研究运用旅游摄影学VEP技术研究三种来源的摄影样本所反映出公益旅游地理意象、意象内容差异和特征,并说明意象形成的摄影心理动机和价值取向,其结论为公益旅游营销的主题选取、完善视觉营销效果、市场和项目定位拓展等提供科学参考。     

Linking the dots among destination images,place attachment,and revisit intentions: A study among British and Russian tourists

Limited evidence suggests that the incorporation of both image components (cognitive, affective, and conative) and holistic image is meaningful for predicting tourists' revisit intentions. Extending this line of research, the present study aims to unravel the relative influence that each component of image has directly and indirectly, via holistic image, on revisit intentions. In doing so, we incorporate two national samples (British and Russians) of diverse tourist profile and significantly different levels of visitation frequency to investigate place attachment as a moderator. Evidence from 1362 British and 1164 Russian tourists indicated that all image components have a positive indirect effect on revisit intention via holistic image, while conative has also a direct one. As expected, the image components rank differently for British and Russian tourists. The indirect effects of destination images on revisit intention, except conative, are conditional and, interestingly, most of these are stronger for tourists with low PA.     

个人形象设计的人群经济宏观分析

文章从个人形象设计的角度出发,分析了其在现代经济学中的意义。个人形象设计的宏观经济学呈现了人的历史社会的新的机制。现代"人"的形象设计与经济学存在着"隐喻"关系,个人形象设计成为一种经济学方法,通过绘画、诗歌、建筑、仪式等为背景的产业进行分类,并依据现代产业、人群、交流,形成宏观经济视野。因此,形象设计是经济学的属性回归,也是一种人的经济学行为模式,更是将形象作为人的发展经济学的生动传播。     

Determinants hindering the intention of tourists to visit disaster-hit destinations

The purpose of this study is to propose and examine a new research model that is able to capture both the cognitive and affective components influencing potential tourists' behavioural intentions to visit a disaster-hit destination, which have negatively affected their perceived destination image. A survey of 357 participants provides strong support for the model. The results indicate that participants' perceptions of destination image are a strong predictor of their travel intentions. Factors relating to cognitive appraisals (e.g. perceived equipment risk, perceived natural risk and perceived social risk) as well as affective evaluations (e.g. perceived fear of ghosts, perceived unpleasantness, etc.) were found to be critical components that significantly, and negatively, influence potential tourists' perceptions of a destination image. Theoretical and practical implications of the results are discussed herein.     

Promoting Tourism,Projecting Power: The Role of Television Commercials

This paper analyzes television commercials (TVCs) launched by Korea Tourism Organization (KTO) from 1999 to 2012. By repeating shots of traditional and Korean popular (k-pop) culture, high-tech machinery, and sportsmanship, it is fair to say that Korean tourism TVCs both reflected and fueled the fad a target audience has for Korea. Hence the commercials not only promoted tourism, they were also projecting national power in general and cultural power in particular. It is surmised that through power projection the TVCs intend to create a country halo effect so that the country’s products and services may enjoy an aspired added value.     

秦始皇形象论略

《史记》记载秦始皇"蜂准",或作"隆准",北宋《太平御览》引《史记》有关秦始皇形象描述的文字中,有一处作"綘准","蜂"和"綘"皆应读作"豐","豐准"、"隆准"皆指大鼻;历史上没有留下秦始皇的图像,当今中学历史教材中的秦始皇图像是后人推演的作品,采用时应作适当说明.