Ramshackle farmhouses,useless old stables,or irreplaceable cultural heritage? Local inhabitants’ perspectives on future uses of the Walser built heritage

Social and economic developments in rural regions call for a discussion of strategies of dealing with redundant traditional buildings. Using a social science approach, our study examines how the local population in two rural regions perceives the built heritage and which factors are underlying these perceptions. People’s attitudes towards maintaining the cultural heritage vary considerably and are partly influenced by the socio-cultural and economic context of the region. The present article discusses some of the core regional socio-cultural influences on attitudes towards the rural built heritage. Following from qualitative interviews, the article concludes that the scale of perception of the built heritage is related to the “liveliness” of the local culture: The more original and distinctive the local culture is, and the more the local economy is still based on agriculture, the wider the scale of perception of the traditional cultural landscape and built heritage. In a region with local traditions that are alive and followed in everyday life, and a local economy that is mainly based on agriculture, the entire settlement structure is perceived as cultural heritage. In such areas, alternative uses should be found for redundant buildings. In contrast, in regions where the culture is less visible and alive nowadays and where the local economy has changed, people tend to perceive single buildings as representing their cultural heritage, and they often wish to preserve and conserve such remaining houses, barns and stables. In the study, we show that from a social science point of view, there is no universal perception of the maintenance of built cultural heritage. Rather, we see different views and opinions that are important to consider when it comes to developing heritage protection strategies together with public authorities.     

西北地区农村居民点景观格局指数的尺度效应及其最佳粒度选择分析——以西安市为例

文章以西安市2013年土地利用调查数据为源数据,基于arcgis10.0与Fragstats3.4软件,运用景观空间格局的分析方法,从斑块、类型等2个水平上分析西安市农村居民点景观空间格局粒度效应。结果表明:(1)粒度效应敏感的指数有斑块密度、斑块个数、分离度指数、邻近度指数,粒度效应比较敏感的指数有平均斑块面积、最大斑块指数,粒度效应最不敏感的指数有形状指数、聚集度指数及结合度指数。(2)大致可将上述9种景观指数分为3类:第一类,随着粒度的增大,景观指数值表现为下降的变化趋势;第二类,随着粒度的增大,景观指数值呈逐渐增大的趋势;第三类,随着尺度的增大,具有显著的尺度转折,可预测性差。(3)随着粒度的粗化,农村居民点破碎度降低,优势度增加,形状变得规则,分布趋向分散。该研究区农村居民点最佳尺度范围为60~90m,适宜粒度为90m。     

“西为中用·顺势利导”——生态雨水机埠 与合流制特点的老旧城区海绵改造

以常德市柏子园汇水片区为例，运用水力模型工 具，探讨在老城区现有末端生态雨水机埠情形下，通过优化设 置低影响开发(LID)设施和管网改造工程，从源头解决机埠合 流制溢流(CSO)污染的效果和可行性。根据棚户区较多、绿 地率少、土壤渗透性差、项目实施难度大等情况，进行项目方 案布置和LID措施选择；根据现状管网特征，进行近远期管网 改造方案和源头截流措施选择。采用典型年降雨数据进行连续 模拟，分析评估在老旧城区增设源头控制设施和中途管网改造 对既定末端机埠溢流水量及溢流频次的控制效果，并通过情景 方案比选，得出在现有土地使用条件下的最优海绵改造方案， 以期为类似合流制特点的区域提供参考和借鉴。     

基于eCognition影像解译技术的风景环境 植被景观遥感量化研究 ——以云南鸡足山为例

世界遗产标准vii是UNESCO用以评价遗产地审美 价值的重要准则，由标准iii演化而来，从文化与自然美的混 合评价转向了仅对自然美学特征评价。选取以标准vii列入世 界遗产名录的145处项目(1978—2017年)，通过扎根理论 及分析，总结其运用特征、演化趋势和动因考辨。研究发现： 1)地区层面，不同地区运用标准vii所关注的审美价值具有差 异，如非洲关注色彩美学，欧洲和北美强调风景特质组合，亚 太地区重视强烈的自然文化关联、动态变化和组合关系，南美 和加勒比地区注重审美体验；2)词频运用层面，标准vii在各 地区的词频运用差异显著，各地区使用词频最高的为关于美的 “形容词”，除欧洲之外，其余地区代表“之最”特点的词频 次之；3)评价要点层面，欧洲和北美的风景特质评价具有很 强的特点与范式。最后解析了标准vii运用趋势与18世纪以来 的美学思想演变的内在联系；以期为标准vii的全球普世价值 与地区价值认知以及标准vii后续研究提供依据。     

Whose village? Stakeholder interests in the urban renewal of Hubei old village in Shenzhen

This article examines the urban regeneration process of Hubei old village in Shenzen, and focuses on interest sharing among stakeholders. Urban regeneration processes are driven by the decreasing availability of construction land in Shenzhen’s city centre due to rapid urbanization and an unplanned, overcrowded urban core. The solution accepted by most stakeholders, i.e., local government, private developers, and urban villagers, is to generate land revenue through the demolition of urban villages like Hubei old village, thus clearing way for Shenzen’s urban development and transformation. However, tenants and small business operators do not benefit from the rising land and property value, and thus do not share the interests of other stakeholders. A further complication to Shenzen’s urban regeneration process is added by those who do not live in Hubei old village but have vocally fought to preserve its architectural heritage. By examining the urban regeneration process of Hubei old village in Shenzhen, this article provides a case study of the complex dynamics of the Hubei urban regeneration program and participatory planning process, taking as a starting point a question posed by an urban villager during an interview: “whose village?”, i.e., who has the right to make decisions on behalf of the urban village?     

基于共生理论的具有历史遗存的城市公园改造研究

具有历史遗存的城市公园是指在公园红线范围内含有一定文化价值的历史文化景点、文化遗产和文物保护单位等历史遗存的城市公园，其改造与更新的核心问题是平衡公园的保护传承与复兴发展，寻求二者的共生，如何科学有效地平衡协调两者之间的关系成为改造的关键。基于共生理论的解读与启示，以江西省南屏瀚峰文化公园为例，分别从文化、功能和空间3个方面深入分析了公园存在的主要问题，并结合实例，探讨了具有历史遗存的城市公园改造与更新的共生策略与实践措施。     

Five scale challenges in Ecuadorian forest and landscape restoration governance

The forest and landscape restoration (FLR) targets set as part of the Bonn Challenge draw attention to the governance arrangements required to translate national FLR targets into local action. To achieve the targets, actors at multiple levels of the governance scale aim to influence relevant processes on the ecological scale. In this article, we focus on the scale challenges relating to the implementation of Ecuador’s restoration targets, by analysing the implementation of the 2014–2017 National Forest Restoration Plan in the montane Chocó Andino and Bosque Seco landscapes. From 54 semi-structured interviews, a document review, and geographical data analysis, we identified two temporal (i, ii) and three spatial scale challenges (iii, iv, v): i) Political cycles mismatch with FLR timelines; ii) Planning horizons mismatch with FLR timelines; iii) National restoration objectives mismatch with decentralised land use planning realities; iv) The governance level of existing FLR efforts mismatches with the level receiving restoration funds; and v) Tensions exist between the spatial dimensions of biodiversity and water-related restoration efforts. The findings highlight that more attention must be given to scale-sensitive governance to make the process in which national FLR targets are translated into local action more effective.     

关于节水型园林设计规划的思路构架和分析

随着我国社会主义现代化建设和城市化建设进程不断加快,人们对自然资源的过渡开发与利用,带来了诸多环境问题。为提高我国园林生态水平,相关部门应认识到我国园林用水的现状,并积极开发和设计节水型园林,大力推广节水灌溉,优化各类植物配置,加强园林人力资源管理,提高人们的节水意识,从而为建设节水型园林奠定坚实的基础。     

Fluid Spatial Imaginaries: Evolving Estuarial City‐regional Spaces

This article looks at successive attempts to create new spatial imaginaries around three estuary‐based city regions in England: the London–Thames Gateway, the Atlantic Gateway/Mersey Belt (Manchester and Liverpool), and Hull and the Humber ports. We develop a framework of analysis for new planning and regeneration spaces that takes forward debates on relational and territorial geographies, spatial imaginaries and the creation of new regional identities as governance objects. Specifically, we adopt a long‐term and comparative perspective that allows an examination of how successive efforts at regional building are both path‐dependent and context‐specific, as new approaches reflect emerging ideas about how best to construct successful regions in a changing global economy.     

Creative Cities,Graffiti and Culture-Led Development in South Africa: Dlala Indima (‘Play Your Part’)

Creative cities and culture-led development discourses have come under increasing scrutiny as elite-centric economic development agendas tend to trump ‘civic creativity’ ideals as imagined by Charles Landry. In South Africa, culture-led development and cultural policy tends to primarily mimic that of the global North, largely focusing on culture as a catalyst for economic and property development. Public art commissioning processes tend to focus on decorative projects as part of urban upgrading, which are often associated with ensuing gentrification and displacement of the urban poor. In contrast to focusing on these kinds of regeneration strategies, this article investigates Dlala Indima, a hip-hop-led graffiti project in a rural township in the Eastern Cape of South Africa. This article situates graffiti as a critical social and spatial practice to argue that this case challenges normative cultural planning paradigms. Dlala Indima's work is an alternative approach to cultural development by and for young people who are usually marginalized by the mainstream practice of culture-led economic development. The project challenges dominant creative cities and culture-led development discourses in three ways: first, it challenges the normative processes of regeneration; secondly, it grounds participatory practice; and finally, it shifts participation from ‘tyranny to transformation’ through the ubuntu of hip-hop, the notion of ubuntu being based on the communitarian notion of ‘ubuntu, ngubuntu ngabantu’—‘I am because you are’.