将“翻译文学”注入外国文学教学的实践——以艾略特《荒原》为例

翻译文学具有独立的地位和价值,且与外国文学有质的联系、内容的联系,极有必要将翻译文学引入外国文学的教学实践中,以艾略特《荒原》为例,在讲授《荒原》翻译和接受的中国历史文化语境的基础上,选取能展示《荒原》原著的具有代表性的不同风格的段落与相对应的较好的中文译本进行比照式赏析,最后,总结《荒原》对中国现代文学造成的影响。     

T·S·艾略特新批评文学观及其意义

T.S.艾略特新批评是对传统批评的反驳,将文学批评从作者引向文本;艾略特新批评主要观点是“非个性化”和“意象表现”;以诗歌与文论为新批评拓荒,为现代诗歌拓荒,从而成为新批评奠基人、现代诗歌先驱。     

Selling poetry by the Pound: T.S. Eliot and The Waste Land brand

Although the battle between culture and commerce isn't over, the conflict has entered a new phase. Research reveals that elite artists like Picasso, Dalí and Warhol – among others – were canny commercial operators who knew their own worth and weren't reluctant to exploit it. However, we are less well informed of culture and commerce's co-dependency in artistic spheres where money rarely intrudes. This paper examines the marketing activities of T.S. Eliot, perhaps the preeminent poet of the twentieth century and epitome of art-for-art's-sake avant-gardism. It indicates that, aided and abetted by il miglior fabbro, Ezra Pound, Eliot proved to be an adroit authorpreneur. Their marketing of The Waste Land brand was ahead of its time and in tune with our own. Few poets are condemned to fame and fortune. Eliot was an entrepreneurial exception.     

《弗洛斯河上的磨房》的心理分析

乔治·艾略特被誉为心理小说的先驱者。她的早期作品《弗洛斯河上的磨房》是英国文学史上的一篇巨作。这部小说是体现精神分析的一个很好的代表。