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马凌 《商业经济(哈尔滨)》2008,(2):111-112
从欣赏者对音乐作品感情内涵体验的深浅角度出发进行论证,得出“准确、深刻和细致地体验音乐作品中的感情内涵,是音乐欣赏中感情体验的基本要求”,同时也是欣赏者自己的感情和音乐中表现的感情相互交融、发生共鸣的过程。而当欣赏者对某种音乐音响及其艺术风格不熟悉,不能正确地进行音乐感知时,则不可能获得正确的感情体验。欣赏者要从各个方面去研究和理解乐曲感情更深刻、更准确地领会音乐作品的感情内涵。 相似文献
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《Journal of Heritage Tourism》2013,8(2):91-103
Food is not merely a source of nourishment but also one of survival for human beings. Depending on production methods, food can also become a cultural reference point, an element of regional development and a tourist resource. This occurs with “local” food, representing a model of production and consumption that suggests a strong link with the region in which the food is produced. Over the last few years, the field of geographical studies has seen the rise of a specialised branch – the geography of taste – concerned with the study of links between the production of food, seen as a phenomenon of organisation of production, and the territory of reference. The production of food with these qualitative characteristics engages all five senses, assumes cultural significance and thus represents an element of emotional richness – the “gaze” – capable of being transformed into the tourist attraction defined in this paper as the “taste of geography”. These phenomena have been studied in a region of Italy – Abruzzo – in order to obtain the necessary data to plan a training and research centre for the promotion of enogastronomic culture and tourism. 相似文献
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This paper draws on the theory of embodied cognition to argue that sensory imagery and consumer recall of past experiences of sour tastes inspire sour taste perceptions that trigger facial muscle activation, which in turn leads to temptation avoidance. Across four experiments, we show that physical action need not be performed to elicit temptation avoidance. Moreover, our findings show that the effects of visual gustatory imagery are more pronounced when presented against a visual red background low on color saturation. Interestingly, they are not significant in the presence of a high color saturation background. We also discuss the implications of these findings for sensory marketing, alternative consumer strategies to avoid temptation, and visual brand management in the consumer experience economy. 相似文献
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Rob Drew 《Leisure Studies》2013,32(4):371-383
Abstract Karaoke’s mimetic character can provide a conduit for personal growth and interpersonal empathy. Yet karaoke is not always understood this way, and one factor determining how it is understood is social class. Karaoke’s class markers have been clear, though very different, in Eastern and Western cultures. Whereas in Japan karaoke first became popular among the upper‐middle class, in the US it was popularized by the working and lower‐middle classes. As karaoke gained a following among working‐class Americans it was often shunned by the urban middle class. Yet by the late 1990s an alternative aesthetic of karaoke, characterized by an ironic performance style, developed among middle‐class urbanites. This essay attempts to describe these opposing styles of mimetic and ironic performance, to explain the motives behind them, and to consider what happens when they come into contact. 相似文献
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王远坤 《湖北经济学院学报》2003,1(1):106-109
味觉及其美感问题是一个十分复杂的问题。本文基于生理层面和人文精神层面对味觉进行了分类,通过论述人对味觉生理感受与精神感受的密切联系性,批评了西方文化中的一些对味觉认识的片面性,提出了味觉能产生美感和作为审美对象的原因。 相似文献